Bassem Yakhour Biography: Height, Net Worth, Age, Spouse, Movies, Children, Nationality

Bassem Ibrahim Yakhour, known universally as Bassem Yakhour, is one of Syrian most versatile and beloved actors, writers, and directors, with a career that has weathered decades of regional turmoil while delivering laughter, tears, and sharp social commentary.

From his early comedic breakthroughs in Bab Al-Hara to his directorial triumphs in complex dramas like Al-Nadam, Yakhour’s warm baritone and effortless charisma have made him a Ramadan staple and a symbol of resilient Syrian artistry.

Profile

• Full Name: Bassem Ibrahim Yakhour
• Stage Name: Bassem Yakhour
• Born: 16, August 1971
• Age: 54 years old
• Birthplace: Latakia, Syria
• Nationality: Syrian
• Occupation: Actor, Writer, and Director
• Height: 1.88m
• Parents: Ibrahim Yakhour
• Siblings: Unknown
• Spouse: Rana Al-Hariri
• Children: Roy Yakhour
• Relationship: Married
• Net Worth: $8 million

Early Life and Education

Bassem Ibrahim Yakhour was born on August 16, 1971, in the coastal city of Latakia, Syria. His father, journalist and writer Ibrahim Yakhour, nurtured a household rich in stories and debate, while his mother’s name has stayed private.

No siblings appear in public records. Raised in the Greek Orthodox Christian community, he discovered theater early through school plays before committing fully to the craft.

He graduated from the prestigious Higher Institute of Dramatic Arts in Damascus in 1993, emerging with classical training that blended seamlessly with his natural comic timing and emotional depth. He is of Syrian ethnicity and practices Islam.

Career

Bassem Yakhour burst onto screens in the mid-1990s with supporting roles in Syrian comedies, but his true arrival came as the lovable Abu Bader in Bab Al-Hara (2006-2019), a character whose gentle humor amid neighborhood chaos turned him into a national treasure across multiple seasons.

He balanced this with sharper satirical work in Maraya episodes and historical depth in series like Al-Zeer Salem, earning early awards for versatility while writing sketches that poked at everyday absurdities.

The 2010s saw Yakhour evolve into a creative powerhouse, directing and starring in Al-Nadam (2021-2022) alongside Sulafa Mimar, a psychologically layered drama that swept regional honors and showcased his skill behind the camera.

He penned and headlined social comedies like Doulab Abed (2020) and romantic hits like Bi-Lazraq (2023), while film roles in Excuse My French (2014) and the war-torn Damascus Aleppo (2018) revealed grittier shades.

His production company backed emerging talent, ensuring Syrian stories reached Gulf and Egyptian platforms despite exile challenges.

Bassem Yakhour delivers fresh triumphs annually, directing the ensemble intrigue of Taghdiba (2024) and starring as a conflicted patriarch in the upcoming Wadi Al-Ghufran (2025). His blend of writing, directing, and acting—over 70 credits strong—continues to mentor a new generation through workshops, preserving the golden era’s spirit while adapting to streaming demands and regional co-productions.

Social Media

• Instagram Handle: @bassemyakhour
• Twitter Handle: @BassemYakhour

Personal Life

Bassem Ibrahim Yakhour married screenwriter Rana Al-Hariri in a union that has quietly fueled collaborative sparks, though unconfirmed whispers of strain have circulated without public acknowledgment from either.

They share one son, Roy, now a young adult pursuing studies abroad. Yakhour divides time between Beirut and occasional Damascus visits, cherishing seaside routines from his Latakia roots—fishing at dawn, grilling with friends, and reading scripts aloud to test dialogue rhythm—habits that keep him grounded amid stardom’s swirl.

Filmography

• Bab Al-Hara (2006-2019)
• Al-Zeer Salem (2000)
• Excuse My French (2014)
• Damascus Aleppo (2018)
• Al-Nadam (2021-2022)
• Bi-Lazraq (2023)
• Taghdiba (2024)
• Wadi Al-Ghufran (2025)

Net Worth

Bassem Ibrahim Yakhour boasts an estimated net worth of $8 million. This reflects decades of leading roles in evergreen Ramadan series like Bab Al-Hara, whose syndication royalties remain robust, combined with directing and writing fees from high-profile joints, production stakes through his company, and selective brand partnerships that align with his family-man image.