Emir Baigazin Biography: Parents, Net Worth, Age, Career, Height, Movies, Wife, TV Shows

Emir Baigazin is a Kazakhstani film director, screenwriter, and editor whose minimalist, allegorical style has earned global acclaim. He debuted with Harmony Lessons (2013), which won the Silver Bear at Berlin for cinematography and launched his “pupil trilogy.”

Baigazin followed with The Wounded Angel (2016) and The River (2018), both premiering at Venice Orizzonti where he took Best Director. His films explore adolescence, violence, and spiritual isolation in rural Kazakhstan, blending stark realism with dreamlike sequences.

Baigazin edits and produces through his company, often shooting in his hometown, establishing him as a leading voice in Central Asian auteur cinema.

Profile

• Full Name: Emir Baigazin
• Stage Name: Emir Baigazin
• Born: July 19, 1984
• Age: 41 years old
• Birthplace: Alga, Kazakhstan
• Nationality: Kazakhstani
• Occupation: Film Director, Screenwriter, Editor, Actor
• Height: Unknown
• Parents: Kenzhegazy Baygazin and Mrs. Baygazin
• Siblings: Unknown
• Spouse: Unknown
• Children: Unknown
• Relationship: Single
• Net Worth: $1 million

Early Life and Education

Emir Baigazin was born on July 19, 1984, in Alga, Kazakhstan, to Kenzhegazy Baygazin and Mrs. Baygazin. He might have had siblings but details about them are unknown.

Baigazin studied at the T. Zhurgenov Kazakh National Academy of Arts in Almaty, graduating in 2008 with a degree in film directing. He trained under veteran instructors and directed student shorts that won local festivals.

Baigazin identifies with Kazakh ethnicity and while his religion is unknown.

Career

Emir Baigazin began his career directing short films during his academy years, including The Steppe (2007), which screened at regional festivals. He wrote, directed, edited, and produced Harmony Lessons in 2013, shot in Alga with non-professional actors and a micro-budget.

The film premiered in competition at the Berlin International Film Festival, winning the Silver Bear for Outstanding Artistic Contribution. Baigazin established August Cinema to maintain creative control.

He followed with The Wounded Angel in 2016, the second part of his trilogy, premiering at Berlin Panorama. These early features showcased his signature long takes, symbolic imagery, and focus on youth alienation.

Baigazin completed his trilogy with The River in 2018, which premiered at Venice Orizzonti and won him Best Director. He released Otar’s Death in 2023, a short film commissioned by Miu Miu that screened at Venice.

Baigazin taught masterclasses at Almaty workshops and curated programs for young Kazakh filmmakers. His films secured European co-financing through Arte and Sorfond.

Baigazin balanced festival acclaim with independent production, often editing in his hometown. His works consistently explored moral decay and spiritual hunger through adolescent lenses.

Emir Baigazin continues to develop features rooted in Kazakh landscapes and universal themes. He mentors emerging directors through national film funds and hosts screenings in rural schools.

Baigazin’s trilogy circulates in museum retrospectives and inspires slow-cinema practitioners globally. His uncompromising vision shapes contemporary Kazakh arthouse cinema.

Baigazin’s legacy lies in giving voice to the marginalized through poetic, unflinching storytelling.

Social Media

• Instagram Handle: Unknown
• Facebook Handle: Emir Baigazin
• Twitter Handle: Unknown

Personal Life

Emir Baigazin keeps his personal life private and has not disclosed details about a spouse or children. He resides in Alga and Almaty, where he writes in quiet isolation.

Baigazin enjoys classical music and painting, often incorporating visual art into his films.

Filmography

• Harmony Lessons (2013)
• The Wounded Angel (2016)
• The River (2018)
• Otar’s Death (2023)

Net Worth

Emir Baigazin has an estimated net worth of $1 million. His income derives primarily from festival prizes, European co-production funding, and arthouse distribution deals.

Teaching honoraria and state grants from Kazakhstan provide steady revenue. Screenplay sales and retrospective screenings supplement earnings.