Emir Hadžihafizbegović Biography: Wife, Net Worth, Movies, Children, Ethnicity, Awards, Parents, Height

Emir Hadžihafizbegović, is a distinguished Bosnian actor, who commands screens and stages with a brooding intensity that has defined Balkan cinema for decades.

He debuted under Emir Kusturica in the Palme d’Or-winning When Father Was Away on Business (1985), evolving into a fixture of over 50 films that grapple with war’s scars and human frailty.

His Venice Film Festival Best Actor prize for the raw paternal struggle in These Are the Rules (2014) and Silver Bear nomination at Berlin underscore a career blending gritty leads in Grbavica, Remake, and Jasmila Žbanić’s Oscar-nominated Quo Vadis, Aida? (2020) with theatre depth at Sarajevo’s National Theater.

Beyond acting, his SDA political tenure as Sarajevo Canton’s Culture Minister reflects civic commitment, while war service in ARBiH and HVO forged unyielding resilience.

Profile

• Full Name: Emir Hadžihafizbegović
• Stage Name: Emir Hadžihafizbegović
• Born: 20 August, 1961
• Age: 64 years old
• Birthplace: Tuzla, Bosnia and Herzegovina
• Nationality: Bosnian
• Occupation: Actor
• Height: 1.77m
• Parents: Mustafa Hadžihafizbegović and Nizama Hadžihafizbegović
• Siblings: Irfan Hadžihafizbegović
• Spouse: Aida Hadžihafizbegović
• Children: Edin Hadžihafizbegović, Amra Hadžihafizbegović
• Relationship: Married
• Net Worth: $2 million

Early Life and Education

Emir Hadžihafizbegović was born on 20 August 1961, in Tuzla, PR Bosnia and Herzegovina, to Mustafa Hadžihafizbegović and Nizama Hadžihafizbegović.

Raised alongside his older brother Irfan. He pursues acting at Sarajevo’s Academy of Performing Arts, graduating in 1986 after honing craft through rigorous scene studies and ensemble work.

War interrupts but sharpens focus, his ARBiH and HVO service from 1992-1995 forging discipline amid chaos.

Post-diploma, he joined Tuzla’s Folk Theater (1989-1992), building a resume with TV guest spots. He is of Bosnian heritage, and has kept his religion private.

Career

Emir Hadžihafizbegović breaks through at 24 in Kusturica’s When Father Was Away on Business (1985) as young Fahro, nabbing early notice amid Palme d’Or glory, followed by TV films Veliki talenat and Audicija.

He shines as bartender in Hajde da se volimo 2 (1989) with Lepa Brena, blending comedy with edge before war halts output in 1992. Sarajevo’s National Theater welcomed him in 1996, where 80+ roles across classics and contemporaries built stage mastery.

Remake (2003) relaunches film career as war vet, sparking leads in Fuse, Days and Hours (2004), and The Border Post (2006). Grbavica (2006) pairs him with Mirjana Karanović, Golden Arena nods piling for supporting turns.

TV thrives in Lud, zbunjen, normalan, Viza za budućnost, and Konak kod Hilmije (2018-2019) as Hilmija Frlj. He served as Sarajevo Canton Culture Minister (2007-2011), balancing SDA duties with Armin (2007) Best Actor win.

Hadžihafizbegović dominates 2010s with Vegetarian Cannibal (2012), then triumphs in These Are the Rules (2014) as desperate dad Ivo, clinching Venice Horizons Best Actor and Golden Arena, plus Berlin Silver Bear nom.

Quo Vadis, Aida? (2020) casts him in Žbanić’s Srebrenica drama, Oscar buzz amplifying global reach alongside Take Me Somewhere Nice (2019). Durban and Cottbus festivals award him, Heart of Sarajevo noms follow for These Are the Rules.

Theatre endures at National Theater, voice work and sitcoms like Crna hronika sustain TV presence. SDA presidency (2019-2023) intersects art, professor stints at Tuzla’s Academy (1998-2005) mentor next-gen.

Focus, Grandma (2020) and The Son (2019) showcase range, Pula Golden Arena for The Border Post supporting (2006) and Armin lead anchoring accolades. Regional collabs span Slovenia, Croatia, festivals honoring his 50+ films.

Emir Hadžihafizbegović headlines Sarajevo retrospectives, Quo Vadis, Aida? screenings packing halls with archival clips from Remake to Venice triumphs.

Theatre productions revive his war-era monologues, Bombaj Štampa nods in music-adjacent roles echoing ex-Yugo roots. Mentorship at Academy shapes actors, SDA legacy fueling cultural policy talks.

Film archives preserve Grbavica and Armin prints in Berlinale vaults, influencing Balkan auteurs. Voice dubs and Konak reruns keep him in the household, political memoirs speculated amid festival juries.

Influence radiates through everyman portrayals that dissect post-war psyches, Golden Arena hauls cementing Bosnia’s finest. Live readings blend politics and performance, sustaining draw across ex-Yugo circuits.

Social Media

• Instagram Handle: @hadzihafizbegovicemir
• Facebook Handle: Emir Hadžihafizbegović
• Twitter Handle: Unknown

Personal Life

Emir Hadžihafizbegović marries Aida Hadžihafizbegović, raising son Edin and daughter Amra in Sarajevo and Tuzla homes that anchor family amid travels.

Lifestyle favors kafana evenings, Balkan hikes, and script reads over excess, war service forging stoic routines. Travels mix Tuzla roots with Ljubljana festivals, nurturing theatre ties.

Filmography

• When Father Was Away on Business (1985)
• Remake (2003)
• Grbavica (2006)
• Armin (2007)
• These Are the Rules (2014)
• Quo Vadis, Aida? (2020)

Net Worth

Emir Hadžihafizbegović has an estimated $2 million net worth. Venice and Golden Arena residuals from These Are the Rules lead earnings, boosted by Quo Vadis, Aida? Oscar runs and Grbavica festivals.

Theatre salaries at Sarajevo National, TV series like Konak kod Hilmije, and 50+ films provide core streams, while ministerial perks and SDA roles add stipends to his acclaimed portfolio.