Barbora Bobuľová Biography: Husband, Movies, Height, Age, Parents, Net Worth, Instagram, Children, TV Shows

Barbora Bobuľová, is a Slovak-Italian actress celebrated for her emotionally resonant performances in Italian cinema and television.

She rose to prominence as the fragile yet resilient Maya in Cuore Sacro (2005), earning the David di Donatello for Best Actress, before captivating audiences as the enigmatic Anna in the acclaimed miniseries In Treatment (2013).

Trained at Bratislava’s Academy of Performing Arts and relocating to Italy in 1995, Bobuľová has excelled in auteur-driven films (The Soul Keeper, Manual of Love), international co-productions (The Immature), and prestige series (The Bastards of Pizzofalcone), becoming a cornerstone of contemporary European arthouse drama.

Profile

• Full Name: Barbora Bobuľová
• Stage Name: Barbora Bobuľová
• Born: April 29, 1974
• Age: 51 years old
• Birthplace: Martin, Czechoslovakia (now Slovakia)
• Nationality: Slovak-Italian
• Occupation: Actress
• Height: 1.67m
• Parents: Unknown
• Siblings: Unknown
• Spouse: None
• Boyfriends: Alessandro Casale
• Children: Lea Casale, Anita Casale
• Relationship: In a relationship
• Net Worth: $3 million

Early Life and Education

Barbora Bobuľová was born on April 29, 1974, in Martin, Czechoslovakia (now Slovakia), to parents whose names remain private. She might have had siblings but details about them are unknown.

She grew up in the culturally rich region of Žilina, discovering acting through local theatre at age 12. Bobuľová trained at the Academy of Performing Arts (VŠMU) in Bratislava, graduating in 1995 with a focus on dramatic acting and voice.

That same year, she moved to Rome to pursue opportunities in Italian cinema, mastering the language within months. She is of Slovak ethnicity and her religion is unknown.

Career

Barbora Bobuľová debuted in Slovak television with Náhrdelník (1992) before relocating to Italy, where she made her feature film debut in Nesmrteľný les (1994). She gained early recognition as the tormented Maya in Ferzan Özpetek’s Cuore Sacro (2005), winning the David di Donatello for Best Actress and a Nastro d’Argento.

Bobuľová starred opposite Laura Morante in The Soul Keeper (2002), earning a Flaiano Prize, and appeared in Manual of Love (2005). Her early Italian work balanced psychological depth with ensemble dynamics.

Bobuľová solidified her status in the 2010s with leads in The Immature (2011), Scialla! (2011), and the miniseries In Treatment (2013) as the complex Anna. She portrayed the fierce prosecutor Laura Damiani in The Bastards of Pizzofalcone (2017–2021), spanning four seasons.

Bobuľová returned to theatre with a 2019 production of The Glass Menagerie in Milan. Her international credits include Coco Chanel (2008) and Black Souls (2014).

Her selective choices maintain artistic credibility amid commercial success.

Barbora Bobuľová continues to headline Italian television and independent cinema. She mentors young actors at VŠMU and supports Slovak-Italian cultural exchanges.

Bobuľová’s body of work exceeds 50 credits. Her fusion of Eastern European intensity with Mediterranean warmth continues to define her legacy.

Bobuľová’s influence on cross-cultural European drama remains profound.

Social Media

• Instagram Handle: Unknown
• Facebook Handle: Unknown
• Twitter Handle: Unknown

Personal Life

Barbora Bobuľová has been in a long-term relationship with assistant director Alessandro Casale since the early 2000s. The couple welcomed daughters Lea in 2007 and Anita in 2008.

They reside between Rome and Bratislava, balancing families with demanding schedules. Bobuľová enjoys painting, hiking in the Tatra Mountains, and cooking Slovak-Italian fusion cuisine.

She supports women’s rights initiatives in Eastern Europe.

Filmography

• Cuore Sacro (2005)
• Manual of Love (2005)
• The Immature (2011)
• In Treatment (2013)
• Black Souls (2014)
• The Bastards of Pizzofalcone (2017–2021)

Net Worth

Barbora Bobuľová has an estimated net worth of $3 million. Her primary income derives from leading roles in Italian films and long-running television series, supplemented by theatre salaries.

International residuals and real estate in Rome and Slovakia also contribute to her earnings.