Beatriz Valdés Biography: Husband, Movies, Awards, Parents, Height, Children, Ethnicity, Net Worth

Beatriz Valdés Fidalgo, professionally known as Beatriz Valdés, is a Cuban-Venezuelan actress whose career has gracefully bridged the theatrical traditions of her birthplace with the vibrant telenovela world of Latin America.

Renowned for roles like the passionate Amalia in La mujer de Judas and the resilient protagonist in Manuela Sáenz, Valdés embodies the emotional core of Venezuelan drama, earning her a devoted following across generations.

Profile

• Full Name: Beatriz Valdés Fidalgo
• Stage Name: Beatriz Valdés
• Date of birth: 12 May 1963
• Age: 62 years old
• Gender: Female
• Place of birth: Havana, Cuba
• Nationality: Cuban-Venezuelan
• Profession: Actress
• Height: 1.67 m
• Parents: Unknown
• Siblings: Unknown
• Spouse: Jorge Perugorría (m. 1990–2004)
• Children: 2
• Relationship status: Divorced
• Religion: Not publicly disclosed
• Ethnicity: Not publicly disclosed
• Net Worth: $1 million

Early Life and Education

Beatriz Valdés Fidalgo, born May 12, 1963, in Havana, Cuba, is a Cuban-Venezuelan actress known for her work in drama and theater.

She grew up immersed in Cuban cultural heritage and pursued formal acting training at Cuba’s National School of Art, where she developed her skills in classical and ensemble performance.

Details about her parents and siblings remain private, as she allows her artistic work to represent her background. Regarding her ethnicity and religion, specific information is not publicly disclosed.

Personal Life

Beatriz Valdés married Cuban actor Jorge Perugorría in 1990, a union that blended their artistic worlds and produced two children, with her first born in Venezuela in 1991; the couple divorced amicably in 2004, allowing both to prioritize co-parenting amid demanding schedule.

She has shielded her children’s names and details from public view, fostering a sense of normalcy in Caracas, where she resides and occasionally teaches acting workshops.

Career

Beatriz Valdés entered the industry as a child performer in Cuban cinema during the 1970s, with her screen debut in the 1970 film Sirena, quickly establishing herself in Havana’s state-supported film collective through roles that showcased her innate poise and emotional depth.

By her early twenties, she had starred in notable Cuban productions like De cómo Baltasar logró la resurrección de la prostituta María Magdalena and the historical drama Cecilia, earning critical nods for her ability to convey quiet rebellion amid the era’s socio-political narratives.

This foundation in film and theater prepared her for the relentless pace of telenovelas when opportunities abroad beckoned.

Her relocation to Venezuela in 1989 marked a pivotal shift, where she swiftly adapted to the soap opera format with guest spots on RCTV before landing breakthrough roles in the early 1990s, such as the fiery antagonist in La traidora and the layered love interest in Por estas calles.

The late 1990s brought her greatest acclaim with the lead in Venevisión’s La mujer de Judas (2002), where her portrayal of a woman torn between duty and desire captivated audiences and solidified her as a versatile force in the genre.

She balanced these with returns to film, including the titular role in the 2000 biopic Manuela Sáenz, which highlighted her command of historical drama.

Beatriz Valdés sustains her presence through selective projects that honor her Cuban origins while embracing her adopted Venezuelan identity, including the complex villainess in Telemundo’s Santa diabla (2013) and reflective theater revivals in Caracas.

Her body of work, from intimate indies like Fresa y chocolate cameos to enduring telenovela icons, reflects a career defined by resilience and reinvention, influencing a wave of bilingual actresses in Latin media.

Net Worth

Beatriz Valdés has an estimated net worth of $1 million. Her wealth accumulates from decades of telenovela leads and supporting roles on Venezuelan networks like RCTV and Venevisión, where syndication residuals provide steady income, alongside earnings from Cuban film archives, selective theater engagements, and occasional production consulting in Latin American media.

Social Media

• Instagram: @beatrizvaldesf
• Facebook: Beatriz Valdés

Filmography

• Sirena (1970)
• De cómo Baltasar logró la resurrección de la prostituta María Magdalena (1980)
• Cecilia (1982)
• Manuela Sáenz (2000)
• La mujer de Judas (2002)
• Santa diabla (2013)