Fedra López Biography: Children, Net Worth, Age, Height, Ethnicity, Parents, Religion, Movies, Husband

María Fernanda López Bernini, professionally known as Fedra López, is an Argentine-Venezuelan actress and former model famous for playing sultry villains with a fiery temperament in 2000s and early 2010s telenovelas.

She is best known for memorable antagonists like Natalia Burgos in Amor a palos, Vanessa Cruz in La viuda joven, and Sharon Muñoz in Toda una dama, roles that made her one of Venezuelan television’s most beloved “malas.”

Profile

• Full Name: María Fernanda López Bernini
• Stage Name: Fedra López
• Born: June 5, 1965
• Age: 60 years old
• Birthplace: Buenos Aires, Argentina
• Nationality: Argentine-Venezuelan
• Occupation: Actress and Model
• Height: Unknown
• Parents: Fernando López and Haydeé Bernini
• Siblings: Unknown
• Spouse: Unknown
• Children: Bebsabe López and Eros López
• Relationship: Unknown
• Net Worth: $3 million

Early Life and Education

María Fernanda López Bernini was born on June 5, 1965, in Buenos Aires, Argentina, to flamenco dancer Fernando López and choreographer Haydeé Bernini, growing up surrounded by music, dance, and the performing arts.

Information about siblings has not been publicly shared. She moved to Venezuela as a young adult, where she studied acting at the prestigious Luz Columba theater school under Nelson Ortega and began modeling while taking dance and voice classes that complemented her dramatic training.

Her ethnicity is Argentine with strong Spanish flamenco heritage, and her religion has not been publicly disclosed.

Career

Fedra López arrived in Venezuela in the late 1980s and quickly made a name for herself as a runway and commercial model before transitioning to acting.

Her television debut came in 1996 with a supporting role in the RCTV telenovela La inolvidable, but she gained real traction in the early 2000s playing sophisticated antagonists such as the cunning Mercedes in Mambo y canela (2002) and the explosive Natalia in Amor a palos (2005), where her sharp delivery and glamorous edge earned her the nickname “la reina de las villanas.”

The late 2000s and early 2010s marked her peak with iconic villain roles: Vanessa Cruz in La viuda joven (2011), Sharon Muñoz in Toda una dama (2007–2008), and the ruthless Fabiola in ¡Qué clase de amor! (2009).

These performances, often opposite leading ladies like Daniela Alvarado and Mariángel Ruiz, showcased her ability to steal scenes with a single glare and turned her into a fan favorite for her unapologetic wickedness.

After RCTV closed in 2007, she moved to Venevisión and later appeared in smaller projects, including the 2016 series Entre tu amor y mi amor.

Fedra López stepped away from daily television after 2016 to focus on family and selective theater work, occasionally returning for guest appearances and streaming cameos that still excite longtime viewers.

Her classic villain roles continue to circulate on nostalgia channels and YouTube, keeping her legacy alive among telenovela enthusiasts.

With more than twenty credited productions, López remains one of the most memorable antagonists of Venezuela’s final golden era of soap operas.

Social Media

• Instagram Handle: @fedralopezoficial
• Facebook Handle: Fedra López Oficial

Personal Life

Fedra López has always kept her romantic life private, with no confirmed marriages or long-term partners.

She is the mother of two children, Bebsabe and Eros, whom she raised as a single parent while building her career in Caracas. Now, she splits her time between Venezuela and Miami, enjoys flamenco dancing, practices yoga, and actively supports animal rescue efforts.

Filmography

• La inolvidable (1996)
• Mambo y canela (2002)
• Amor a palos (2005)
• Toda una dama (2007–2008)
• ¡Qué clase de amor! (2009)
• La viuda joven (2011)
• Dulce amargo (2012)
• Entre tu amor y mi amor (2016)

Net Worth

Fedra López has an estimated net worth of $3 million, accumulated primarily through her steady work as one of RCTV and Venevisión’s top-character actresses during the 2000s and early 2010s, when villain roles commanded strong salaries and residuals.