Jasna Diklić Biography: Husband, Ethnicity, Movies, Net Worth, Age, Height, Children, Awards

Jasna Diklić, is a Bosnian theatre and film actress. She honed her talents through rigorous training, emerging as a versatile force in Yugoslav-era drama and post-war Bosnian stories of resilience.

She commands stages at institutions like the National Theatre Sarajevo and Kamerni Teatar 55, while films such as The Perfect Circle, Fuse, and Remake showcase her nuanced portrayals of everyday heroines amid turmoil.

Diklić co-founded initiatives nurturing young talent, blending acting with direction and teaching to shape Bosnia’s cultural revival.

Her work in TV series like Crna hronika and Ne diraj mi mamu reaches wide audiences, earning acclaim for emotional depth without flash.

Profile

• Full Name: Jasna Diklić
• Stage Name: Jasna Diklić
• Born: 8 March, 1946
• Age: 79 years old
• Birthplace: Sarajevo, Bosnia and Herzegovina
• Nationality: Bosnian
• Occupation: Theatre Actress, Film Actress
• Height: Unknown
• Parents: Mr. Diklić and Amalija Diklić
• Siblings: Unknown
• Spouse: Unknown
• Children: 2
• Relationship: Unknown
• Net Worth: $800,000

Early Life and Education

Jasna Diklić was born on 8 March 1946 in Sarajevo, SR Bosnia and Herzegovina, to her father Mr. Diklić and mother Amalija Diklić, an actress and puppeteer who sparked her passion early.

She might have had siblings but details about them are unknown. She trained at the MESS Festival’s Drama Studio from 1966 to 1969, building foundational skills amid Sarajevo’s vibrant scene.

Diklić graduated from the Faculty of Philosophy, University of Sarajevo’s Department of Performing Arts in 1976, formalizing her command of stage and character. She is of Bosnian roots, with religion not publicly known.

Career

Jasna Diklić launched her path in the late 1960s through theatre ensembles in Sarajevo, debuting with small stage roles that quickly grew under her mother’s influence and the MESS Festival circuit.

Early films like Shepherd (1971) as Milanova zena marked her screen entry, blending quiet strength with rural authenticity in Yugoslav cinema.

She anchored productions at the National Theatre, tackling classics and new Bosnian plays amid political shifts. Television opened doors with guest spots, leading to Crna hronika (2004-2006) as Fatima over 132 episodes, cementing her as a household presence.

Diklić’s theatre tally hit dozens by the 1980s, including direction experiments that honed her mentorship side.

Breakthrough film Ada (1985) as Sluzbenica u posti showcased bureaucratic edge, while As If I Am Not There (2009) drew festival nods for war-torn vulnerability.

Her output balanced grit and grace, earning respect across ex-Yugoslav states.

Diklić peaked in the 2000s with The Perfect Circle (1997) as a Sarajevo survivor, channeling siege-era resolve that resonated internationally, followed by Fuse (2003) in explosive ensemble dynamics.

Remake (2003) and Viza za budućnost TV series amplified her range in comedy-drama hybrids, playing maternal anchors with wry insight. She co-founded youth programs at Kamerni Teatar 55, directing emerging actors while starring in over 100 stage revivals.

Television thrived with Crazy, Confused, Normal (2011-2020) as Fadila across five episodes and Lazni svjedok (2016) as Ajsa. Film roles persisted in Shanghai Gypsy (2012) as Baka Rajka and Full Moon (2019) as Meliha, blending folklore with modern angst.

Accolades flowed from regional festivals, affirming her as Bosnia’s stage elder statesman. Producing and teaching wove through, nurturing talent in post-war recovery.

Jasna Diklić shines in recent works like Ne diraj mi mamu (2018) as Dika Sljepcevic over nine episodes, capturing familial chaos with seasoned poise, and Paviljon (2025) as Valerija in poignant drama.

Back Up (2024) and I Know Your Soul (2023) as Sadzida extend her TV footprint, while shorts like Muttering (2020) as Munira highlight experimental edge.

She directs workshops at drama studios, co-founding ensembles that launch careers much like hers.

Legacy thrives through 150+ credits, from Sabina K. (2015) to voice in archives, inspiring Balkan actresses with unyielding craft.

Sarajevo honours her with lifetime nods, and streams keep classics alive for new eyes. Diklić’s influence spans education to endurance tales, a beacon for authentic performance.

Social Media

• Instagram Handle: Unknown
• Facebook Handle: Unknown
• Twitter Handle: Unknown

Personal Life

Jasna Diklić maintains a private personal life, with no spouse named in records; she raises two children whose names stay shielded from public view.

Diklić embraces a modest lifestyle, splitting time between stage rehearsals and quiet home life amid Bosnia’s cultural pulse.

Filmography

• Shepherd (1971)
• Ada (1985)
• The Perfect Circle (1997)
• Fuse (2003)
• Remake (2003)
• As If I Am Not There (2009)
• Shanghai Gypsy (2012)
• Sabina K. (2015)
• Ne diraj mi mamu (2018)
• Paviljon (2025)

Net Worth

Jasna Diklić has an estimated net worth of $800,000 from decades of steady work. Theatre salaries at National Theatre Sarajevo and Kamerni Teatar 55 form her backbone, joined by film fees from The Perfect Circle and TV runs like Crna hronika.

Teaching gigs and co-founded programs generate ongoing revenue, underscoring a legacy built on endurance rather than excess.