Laila Sammour Biography: Net Worth, Children, Spouse, Age, Height, Movies & TV Shows, Parents

Laila Sammour, widely known as Laila Sammour, was a prominent Syrian actress celebrated for her versatile performances in television dramas, theater, and radio.

She gained widespread recognition for her compelling roles in popular series like Bab Al-Hara, where she portrayed the strong-willed Fouzia (Um Badr), and her contributions to social commentary sketches in the Mira’ya series alongside Yasser Al-Azma.

Profile

• Full Name: Laila Sammour
• Stage Name: Laila Sammour
• Born: 22, November 1962
• Age: 62 years old
• Birthplace: As-Suwayda, Syria
• Nationality: Syrian
• Occupation: Actress
• Height: Unknown
• Parents: Mr. Sammour and Mrs. Sammour
• Siblings: Vilda Sammour
• Spouse: George Haddad
• Children: Tareq
• Relationship: Married
• Net Worth: $1 million

Early Life and Education

Laila Sammour was born on November 22, 1962, in As-Suwayda, Syria. Her parents’ names remain privately held and not widely disclosed in public records.

She grew up as the younger sister of actress Vilda Sammour, who influenced her early interest in the arts.

Sammour pursued higher education in performing arts, graduating from the Higher Institute of Dramatic Arts in Damascus in 1990, where she excelled and ranked first in her class despite initially aspiring to study criticism rather than acting.

She is of Druze descent from the As-Suwayda region, with her religion not publicly emphasized beyond cultural ties.

Career

Laila Sammour began her career in theater while still a student at the Higher Institute of Dramatic Arts, drawn to the stage through her sister’s involvement in rehearsals and productions.

She joined the Syrian Artists Syndicate in 1990 and quickly transitioned to radio and television, earning a theater award for excellence that same year.

Her early roles in series like Al-Bina’ 22 and Jarima Fi Al-Thakira showcased her range in dramatic and comedic parts, building a foundation through community and professional theater work in Damascus.

Sammour’s breakthrough came in the late 1990s and early 2000s with recurring roles in the satirical Mira’ya series (1998–2003), where her sharp timing and direct audience engagement made her a standout.

She collaborated with top directors on diverse projects, including historical dramas like Khan Al-Harir and social comedies, while appearing in films such as Sahab (1992).

Her portrayal of Fouzia in the first two parts of Bab Al-Hara (2006–2007) cemented her popularity, followed by memorable turns in Al-Ghurab (2014–2015) and Wa’datni Ya Rafiqi (2015).

Laila Sammour left a lasting impact on Syrian drama through her nuanced performances in over 80 works, blending humor, strength, and vulnerability in roles that often reflected resilient women.

She contributed to theater productions like Mughamara Ra’s Al-Mamluk Jaber and maintained activity in radio serials. After relocating to France in 2017, she returned sporadically to screens, proving her enduring appeal in independent projects and voice work.

Social Media

• Laila Sammour does not have a verified social media account.

Personal Life

Laila Sammour married actor and producer George Haddad, with whom she shared a supportive partnership in both life and work.

The couple has one son, Tareq, who lives in France with his wife and children. Sammour moved to Paris in 2017 initially for residency purposes but settled there to be near her family, occasionally returning to Syria for projects.

Known for her private nature, she enjoys fitness, sketching, and a modest lifestyle, often speaking warmly of her bond with her son and grandson.

Filmography

• Sahab (1992)
• Bab Al-Hara (2006)
• Bab Al-Hara Part 2 (2007)
• Mira’ya 99 (1998)
• Mira’ya 2000 (2000)
• Khan Al-Harir (1996)
• Al-Ghurab Part 2 (2015)
• Wa’datni Ya Rafiqi (2015)
• Sulaymo Wa Harimuh (2016)
• Al-Sham Fi Yawm Ghaim (1993)

Net Worth

Laila Sammour has an estimated net worth of $1 million. Her primary sources of income stemmed from decades of television roles in high-profile Syrian series, theater performances, radio work, and occasional film appearances, supplemented by syndication residuals from enduring hits like Bab Al-Hara and Mira’ya.