Hou Hsiao-Hsien Biography: Net Worth, Age, Career, Height, Parents, Wife, Daughter

Hou Hsiao-Hsien is a Taiwanese film director, screenwriter, and producer whose poetic realism and long-take aesthetics have shaped global arthouse cinema.

He debuted with Cute Girl (1980) but gained acclaim through the Taiwan New Wave with A Time to Live, a Time to Die (1985), winning the FIPRESCI Prize at Berlin.

Hou earned the Golden Lion for City of Sadness (1989), Best Director at Cannes for The Assassin (2015), and the Golden Horse Lifetime Achievement in 2016.

His meditative portraits of memory, history, and everyday life, including Dust in the Wind (1986) and Millennium Mambo (2001), have influenced generations of filmmakers worldwide.

Profile

• Full Name: Hou Hsiao-Hsien
• Stage Name: Hou Hsiao-Hsien
• Born: April 8, 1947
• Age: 78 years old
• Birthplace: Kuangtung, China
• Nationality: Taiwanese
• Occupation: Film Director, Screenwriter, Producer
• Height: Unknown
• Parents: Hou Fenming and Mrs. Hou
• Siblings: Unknown
• Spouse: Paofeng Tsao
• Children: Yunhua Hou
• Relationship: Married
• Net Worth: $8 million

Early Life and Education

Hou Hsiao-Hsien was born on April 8, 1947, in Kuangtung, China, to Hou Fenming, a civil servant, and Mrs. Hou. He might have had siblings but details about them are unknown.

He grew up in a Hakka-Mainlander household, speaking multiple dialects. Hou studied at the National Taiwan Academy of Arts, graduating in 1972 with a degree in theater.

He worked as a salesman before entering the film industry as a script supervisor in 1973. Hou identifies with Taiwanese, though he keeps his religious beliefs private.

Career

Hou Hsiao-Hsien began as a continuity supervisor on The Flying Tiger (1973) and wrote screenplays for commercial romances. He directed his debut Cute Girl in 1980, followed by Cheerful Wind (1981), both box-office hits.

Hou transitioned to auteur cinema with The Boys from Fengkuei (1983), premiering at Nantes. He won the Golden Montgolfière for A Summer at Grandpa’s (1984) and FIPRESCI for A Time to Live, a Time to Die (1985), an autobiographical masterpiece.

Hou founded his production company in 1986 to maintain artistic control. These early works established his signature long takes, ambient sound, and non-professional actors.

Hou directed the Venice Golden Lion winner City of Sadness (1989), a landmark on Taiwan’s February 28 Incident. He earned Best Director at Cannes for The Puppetmaster (1993) and Goodbye South, Goodbye (1996).

Hou released Millennium Mambo (2001) with Shu Qi and Three Times (2005) with the same muse. He won Cannes Best Director for the wuxia The Assassin (2015), shot over seven years.

Hou produced for emerging directors like Midi Z. His films consistently premiered at A-list festivals and won over 50 international awards.

Hou Hsiao-Hsien retired from directing after The Assassin due to health but continues producing. He received the 2015 Cannes Jury Prize and 2016 Golden Horse Lifetime Achievement.

Hou’s 20 features have screened in retrospectives at MoMA and BFI. He mentors through masterclasses in Taipei and supports Taiwan’s film archive.

Hou’s legacy lies in redefining cinematic time and memory with unparalleled subtlety.

Social Media

Hou Hsiao-Hsien does not have active social media account

Personal Life

Hou Hsiao-Hsien married producer Paofeng Tsao in the 1970s; the couple raised daughter Yunhua Hou, who works in film distribution. They reside in a modest home in Taipei’s Yonghe District, filled with books and 35mm prints.

Hou enjoys calligraphy, tea ceremonies, and long walks in Yangmingshan. He maintains close ties with his mother’s memory and supports Hakka cultural preservation.

Hou leads a quiet life focused on reading and family.

Filmography

• Cute Girl (1980)
• The Boys from Fengkuei (1983)
• A Summer at Grandpa’s (1984)
• A Time to Live, a Time to Die (1985)
• Dust in the Wind (1986)
• City of Sadness (1989)
• The Puppetmaster (1993)
• Millennium Mambo (2001)
• The Assassin (2015)

Net Worth

Hou Hsiao-Hsien has an estimated net worth of $8 million. His income derives primarily from directing fees, festival prizes, and international distribution deals.

Producing credits and state cultural grants provide steady revenue. Retrospective screenings and archive sales supplement his earnings.