Branko Đurić Biography: Ethnicity, Parents, Instagram, Age, Movies, Net Worth, Wife, Awards
Branko Đurić, also known by his nickname Đuro, is a Bosnian actor, comedian, film director, musician, and screenwriter whose satirical edge and versatile talents shaped the cultural heartbeat of former Yugoslavia.
He exploded onto screens in the 1980s with the groundbreaking sketch series Top lista nadrealista, delivering absurd characters like the twitchy security guard barking “Ćega, ba?” that captured everyday Yugoslav absurdity and politics with Monty Python-esque bite.
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As frontman of the raw pop-rock band Bombaj Štampa and early experimental group SCH, he fueled the New Primitivism wave, blending gritty lyrics with Sarajevo street energy amid the city’s pre-war buzz.
Films like Emir Kusturica’s Time of the Gypsies and the Oscar-winning No Man’s Land showcased his dramatic chops, while self-directed hits such as Cheese and Jam and the sitcom Naša mala klinika turned him into a regional powerhouse.

Profile
- Full Name: Branko Đurić
- Stage Name: Branko Đurić (Đuro)
- Born: 28 May, 1962
- Age: 63 years old
- Birthplace: Sarajevo, Bosnia and Herzegovina
- Nationality: Bosnian
- Occupation: Actor, comedian, film director, musician, and screenwriter
- Height: 1.88m
- Parents: Mr. Đurić and Mrs. Đurić
- Siblings: Unknown
- Spouse: Tanja Ribič (m. 1998)
- Children: Zala Đurić, Ela Đurić, Filip Đurić
- Relationship: Married
- Net Worth: $2 million
Early Life and Education
Branko Đurić was born on 28 May 1962, in Sarajevo, Bosnia and Herzegovina, to parents referred to as Mr. Đurić and Mrs. Đurić. He might have had siblings but details about them are unknown.
He soaks up street theater and rock scenes from boyhood, dabbling in journalism studies before chasing acting dreams at the Academy of Performing Arts (ASU), gaining entry on his fourth try in 1984 after extra gigs and music hustles.
Sarajevo’s kafanas sharpen his impressions and guitar riffs, blending newsroom smarts with stage fire. Family fuels his grit through early rejections, pushing him toward performing arts over print.

He graduates equipped for TV and film, his lanky 6’2 frame and quick wit ready. He is of Bosnian roots, with details about her religion kept private.
Career
Branko Đurić dives in as a TV extra and journalism dropout, landing his breakout in Ovo malo duše mid-1980s as a young widower that hints at dramatic depth before comedy calls.
He co-founds experimental band SCH in 1983, then fronts Bombaj Štampa’s raw pop-rock, gigging Sarajevo dives with ironic anthems that ride New Primitivism’s wave.
Top lista nadrealista ignites in 1984 on TV Sarajevo, where he embodies a rotating cast—jumpy guard, cranky viewer Reuf, news boss Đuđi, DIY wizard in Đurine kućne čarolije—skewering politics and folk culture over 27 episodes that pack the federation.
Live tours with the cast follow, promoters like Rizo Rondić booking sketch shows across Bosnia as folk-star offers flood in.
Emir Kusturica spots him for Time of the Gypsies (1988), a Cannes hit thug role that launches film cred, chased by Kuduz (1989) and rock omnibus Kako je propao rokenrol.
War looms, but Top lista’s second series cements his icon status with fresh characters weekly.
Đurić flees Sarajevo’s 1992 siege for Ljubljana, Slovenia, rebuilding with regional films like The Smell of Quinces while music simmers through Bombaj reunions.
No Man’s Land (2001) delivers a global breakthrough as Čiki in the Oscar-winning war satire, nabbing European Film Award nods and festival buzz.

He crafts Naša mala klinika (2004-2007), starring and producing the sitcom hit that spawns regional adaptations, blending clinic chaos with cross-border laughs.
Directorial swing Cheese and Jam (2003) packs Slovenian theaters as writer-director-star Božo, earning national awards for its cultural clash comedy.
Voice work booms in Bosnian dubs—Louis in The Princess and the Frog, Dr. Nefario in Despicable Me duo, Tamatoa in Moana, Frozone in Incredibles 2—reaching kids across ex-Yugo.
Angelina Jolie’s In the Land of Blood and Honey (2011) and See You in Montevideo (2014) add dramatic weight, while B92’s Đurine žute minute (2007) revives sketches commercially. Theatre thrives with Luda kuća and Dangerous Game.
Branko Đurić packs Ljubljana venues with Đurologija (2015), his one-man storytelling blending stand-up and Sarajevo tales that draw multigenerational crowds.
Bombaj Štampa tours resurrect 1980s anthems, vinyl reissues streaming on Spotify amid festival slots. Film roles persist in Bal-Can-Can (2005) and voice gigs, while Naša mala klinika reruns sustain cult status.
He mentors via workshops, his ASU journey inspiring young actors across borders. Archives house Top lista clips in Sarajevo museums, with Cannes retrospectives spotlighting No Man’s Land.
Influence spans ex-Yugo cinema’s satire tradition, from primitivism rock to clinic sitcoms that bridge divides. Live shows mix music, monologues, and dubs, keeping Đuro’s twitchy charm alive in theaters and online.

Social Media
- Instagram Handle: @branko_djuric_djuro
- Facebook Handle: Unknown
- Twitter Handle: Unknown
Personal Life
Branko Đurić weds Slovenian actress-singer Tanja Ribič in 1998, building a Ljubljana home with daughters Zala Đurić and Ela Đurić, plus son Filip Đurić from earlier ties—Zala and Filip chase acting paths in his footsteps.
He savors kafana reunions, vinyl hunts, and theatre nights, his family orbiting creative orbits seamlessly.
Filmography
- Top lista nadrealista (1984-1991)
- Time of the Gypsies (1988)
- Kuduz (1989)
- No Man’s Land (2001)
- Cheese and Jam (2003)
- Naša mala klinika (2004-2007)
- Bal-Can-Can (2005)
- In the Land of Blood and Honey (2011)
Net Worth
Branko Đurić has an estimated $2 million net worth. Top lista nadrealista and Naša mala klinika residuals anchor earnings, joined by No Man’s Land international royalties and festival cuts.
Directing fees from Cheese and Jam, Bombaj Štampa concert hauls, and voice dubs for Disney hits swell streams, while theatre runs like Đurologija and regional film roles cap his portfolio from decades of ex-Yugo stardom.
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