María Teresa Chacín Biography: Husband, Age, Height, Parents, Ethnicity, Children, Net Worth, Religion

María Teresa Chacín is Venezuela’s most cherished voice in traditional folk and criolla music, known as “La Cancionera Nacional” for her unique talent in bringing the spirit of the llanos, joropo, and Christmas aguinaldo to the nation and beyond.

With a clear soprano and deep emotional sincerity, she has recorded over forty albums in six decades, making classics like “La Paraulata,” “Mi Querencia,” and “Corre Corre Caballito” cultural icons.

Profile

• Full Name: María Teresa Chacín
• Stage Name: María Teresa Chacín
• Born: January 22, 1945
• Age: 80 years old
• Birthplace: Caracas, Venezuela
• Nationality: Venezuelan
• Occupation: Singer
• Height: Unknown
• Parents: Mr. Chacín and Mrs. Chacín
• Siblings: Unknown
• Spouse: Unknown
• Children: None
• Relationship: Unknown
• Net Worth: $500,000 and $1 million

Early Life and Education

María Teresa Chacín was born on January 22, 1945, in Caracas, Venezuela, into a family that valued traditional Venezuelan music. From childhood, she absorbed joropo, vals, and aguinaldo melodies from her home and the city streets.

She began formal vocal studies at the Juan Manuel Olivares School of Music and later trained with notable teachers like Inés María Ferrero and Carmen Teresa Hurtado, developing a pure, expressive technique.

Though her exact academic background beyond conservatory training is private, her early years were deeply influenced by Venezuela’s oral folk traditions. Her ethnicity and religion are not publicly disclosed.

Career

María Teresa Chacín made her professional debut in the early 1960s on Radio Capital and quickly became a fixture on Venezuelan television and radio, her clear diction and heartfelt delivery earning immediate acclaim.

Her first major recording, the 1964 album María Teresa Chacín Con el Cuarteto Los Juglares, showcased her mastery of the vals criollo and pasaje, setting the tone for decades of work dedicated to preserving and elevating Venezuela’s traditional genres.

The 1970s and 1980s marked her golden era with landmark albums such as Mi Querencia (1972), La Paraulata (1975), En Este País (1978), and the beloved Christmas collections Aguinaldos Que No Se Olvidan and Algo Contigo, which turned her into a household name every December.

Collaborations with legendary harpists and cuatro players, combined with her own impeccable phrasing, brought llanero and central-region folk music to concert halls and international stages.

She toured Europe, the United States, and Latin America, representing Venezuela at festivals and earning standing ovations for performances that felt like intimate serenades.

María Teresa Chacín has recorded over forty albums and remains active into her eighties, releasing new material, mentoring young folk artists, and performing at national celebrations.

Her voice—unchanged in purity and warmth—continues to accompany Venezuelans through baptisms, weddings, and Christmas mornings, making her one of the few living symbols of the country’s musical heritage.

Social Media

María Teresa Chacín does not have a verified social media account.

Personal Life

María Teresa Chacín has led a remarkably private life, never marrying and having no children. She has spoken of dedicating herself entirely to music and to Venezuela, considering the nation itself her greatest love and family.

She resides in Caracas, surrounded by decades of recordings, awards, and the affection of a country that regards her as its eternal voice.

Discography

• María Teresa Chacín Con el Cuarteto Los Juglares (1964)
• Mi Querencia (1972)
• La Paraulata (1975)
• En Este País (1978)
• Aguinaldos Que No Se Olvidan (1980)
• Algo Contigo (1982)
• Navidad con María Teresa (1990)
• Venezuela en Voz (2000)
• 50 Años de Canto (2015)

Net Worth

María Teresa Chacín’s exact net worth is not publicly disclosed; however, estimates place it between $500,000 and $1 million. Her earnings have primarily come from album sales, national television and radio appearances, concert performances, and royalties from her extensive catalog of traditional recordings, many of which remain widely played during Venezuelan holidays.