Louise Pedersen Biography: Husband, Age, Net Worth, Daughter, Career, Height, Parents, Siblings

Louise Pedersen, known professionally as Louise Pedersen, is a Danish supermodel who rose to prominence in the early 2000s.

She captivated the fashion industry with her striking cheekbones, vivid green eyes, and distinctive pout.

Discovered by chance while traveling to Norway, she quickly established herself as a favorite for major brands such as Chanel, Gucci, and Balenciaga.

Profile

• Full Name: Louise Pedersen
• Stage Name: Louise Pedersen
• Born: 17, November 1981
• Age: 43 years old
• Birthplace: Skjern, Denmark
• Nationality: Danish
• Occupation: Fashion Model
• Height: 1.76m
• Parents: Mr. and Mrs. Pedersen
• Siblings: Unknown
• Spouse: Arthur Meehan (m.2007)
• Children: 1
• Relationship: Married
• Net Worth: $3 million

Early Life and Education

Louise Pedersen was born on November 17, 1981, in Skjern, Denmark.

She grew up with her parents, mentioned only as Mr. and Mrs. Pedersen in public records, and no siblings are documented.

Prior to her modeling career, she worked as a waitress, opting for practical experience over formal education—no details of schools or degrees have been noted.

She has, however, expressed a self-taught passion for art influenced by Gustav Klimt.

Pedersen proudly identifies as ethnically Danish, describing herself as “straight up Viking,” while choosing to keep her religious beliefs private.

Career

Louise Pedersen stumbled into modeling during a train ride to Norway in her early twenties, spotted by a scout who whisked her from waitressing tables to agency signings in Copenhagen and beyond.

Her debut season in fall 2003 exploded with runway dominance, striding for Balenciaga, Alexander McQueen, Calvin Klein, Chanel, and a slew of others that marked her as fashion’s fresh force—over 40 shows in Milan, New York, and Paris alone.

That same year, Mario Testino’s Gucci ad, featuring her with a branded “G” shaved into her pubic hair alongside Adam Senn, ignited outrage and bans across Spain, Portugal, and beyond, but the scandal only amplified her bookings, turning controversy into currency for a newcomer with unyielding poise.

Pedersen’s ascent continued unabated through the mid-2000s, landing editorial spreads in Vogue and Harper’s Bazaar while fronting campaigns for DKNY, Hugo Boss, Tiffany & Co., and Rolex, her versatile look bridging high fashion’s edge with commercial polish.

She forged tight bonds in the industry, counting models like Anouck Lepere, May Anderson, and Diana Dondoe among her circle, and even shared the lens with Senn beyond that fateful shoot.

A brief hiatus around 2007 for personal milestones didn’t dim her pull; she resurfaced for Givenchy and Diesel Black Gold in fall 2009, proving her chiseled features and confident stride remained timeless assets in a shifting scene.

Louise Pedersen sustains selective engagements into her forties, sharing the September 2016 ELLE Denmark cover with daughter Maya to celebrate family amid legacy work, while her influence lingers in the archives of early-aughts icons who redefined boldness.

Her artistic pursuits, channeling Klimt’s gilded swirls through personal paintings, add depth to a portfolio that inspired a generation of models navigating fame’s glare with quiet authenticity.

Social Media

Louise Pedersen does not have a verified social media account.

Personal Life

Louise Pedersen married the artistic photographer Arthur Meehan around 2007, and together they began building a life back in Denmark after her intense and fast-paced years in New York City.

It was during that transformative time in New York that she gave birth to their daughter Maya in the same year, a milestone that became deeply significant not only personally but also professionally, as Louise later featured Maya on a memorable and poignant ELLE magazine cover.

Net Worth

Louise Pedersen holds an estimated net worth of $3 million.

Her fortune traces to peak-era contracts with Chanel and Gucci yielding six-figure fees, enduring royalties from iconic campaigns like DKNY and Rolex, plus residuals from editorial and runway archives that keep her relevant in syndication and retrospectives.