The Houses of Sabrina Carpenter And the One Interior Design Rule She Never Breaks
Most pop stars collect houses the way they collect stage outfits: expensive, interchangeable, and usually styled by someone else. Sabrina Carpenter doesn't. If you follow the places she has lived since turning eighteen, they read less like real estate moves and more like quiet snapshots of where she was in life at that exact moment. And the furniture, the wallpaper, the choice of marble over quartz, all of it is part of that picture.
There’s one detail that appears again and again, in every property and every interview with the designers who worked on them: she refuses to live in blank spaces.
Her Hollywood Hills kitchen alone, with its custom oak cabinetry, dark marble island, and soft cream range, has the deliberate, quietly luxurious feel of a Poliform kitchen, the kind of space designed to be used daily rather than photographed once and forgotten.
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In 2018, the same year she appeared in The Hate U Give and released Singular: Act I, Sabrina Carpenter bought her first home.
Not a Hollywood condo or a paparazzi magnet, but a $1.7 million house in Northridge: 5,500 square feet, traditional two-story, completely off the celebrity radar. It had a basketball court, a home theater with black leather recliners, a sauna, a game room with a bar, and a backyard pool with a cabana.
The interiors leaned dark and layered: leather upholstery in total Henge’s style, double-sided fireplace, rooms with actual purposes rather than open-plan ambiguity.
The atmosphere was similar to Ligne Roset’s interior design approach: warm, homely, and slightly nostalgic. For an eighteen-year-old who had just moved across the country alone, those were surprisingly grounded choices.
The Secret Rule Sabrina Carpenter Followed When Designing Her Hollywood Hills House
Fast-forward to late 2023. Carpenter bought a 1936 Spanish Colonial in the Hollywood Hills for around $4.4 million: canyon views, olive trees, an Italian courtyard fountain, oak floors, and thick plaster fireplaces. The bones were there. What she did with them is the interesting part.
She hired designer Francesca Grace and gave her a brief that Grace later described to People with barely concealed delight: no white rooms, florals everywhere, Victorian references, and wallpaper basically everywhere.
The breakfast nook features dramatic botanical wallpaper by House of Hackney, layered with striped pillows from Alice Palmer & Co. The layered approach to surfaces and pattern sits closest to what de Gournay does at its most committed. Curved silhouettes, tactile upholstered pieces, and occasional tables that look antique without being precious about it.
The living room anchors the whole composition with a gigantic light-grey Camaleonda sofa by B&B Italia: a piece that has quietly become a Gen-Z design icon. Nearby, a second sofa in a deep, almost emerald green carries a silhouette strikingly close to Moroso’s Pacific, all soft curves and relaxed proportions. The effect is deliberate: comfort first, personality always.
Grace told People that midway through the project, Carpenter became, in her words, probably the number one pop star in the world. The house was nearly finished by then; it was designed for the person, not the phenomenon. That tells you quite a lot about her.
The Fire Escape That Turned Sabrina Carpenter Into a New Yorker
In 2021, while writing ” I Can’t Send ” emails, Carpenter and her sister, Sarah Carpenter, rented an Airbnb in New York’s Financial District. She told Rolling Stone she only planned to stay for the summer. Then she noticed the fire escape. She mentioned it more than once in interviews, including one with Teen Vogue, sounding genuinely excited about the possibility of climbing out onto it and just sitting there. She never left. New York tends to do that.
New York gave her something LA rarely does: anonymity. Less paparazzi, more density, a completely different relationship with space. LA homes expand outward: pools, courts, outdoor rooms, acreage. It’s the kind of city where you can show off an entire Paola Lenti outdoor furniture collection.
Manhattan apartments compress inward, forcing a different kind of curation. You stop accumulating and start editing. What stays in the room matters. That shift showed up in her music almost immediately. The writing became sharper, more observational, and it set the terms for what she eventually chose to buy in Tribeca.
Sabrina Carpenter’s 1894 Building Has One Thing Modern Towers Can’t Fake
By September 2025, Carpenter had made New York permanent, purchasing a duplex in the landmark building at 108 Leonard Street for just under $10 million. Designed by McKim, Mead & White in 1894 as the headquarters of the New York Life Insurance Company, the Renaissance Revival structure was converted into luxury residences in 2018. High ceilings, ornate stone façades, and proportions that modern towers rarely manage to replicate.
The apartment includes three bedrooms, three and a half bathrooms, four terraces, and floor-to-ceiling windows. Wolf and Sub-Zero appliances fill the kitchen. A private elevator opens directly into the space. Nicole Kidman and Keith Urban are her neighbours. 108 Leonard isn’t a glass skyscraper designed to look expensive. It’s a historic structure with serious architectural bones.
For someone who wallpapers every room and installs a clawfoot bathtub in her LA home, choosing a building with actual history feels completely on brand. Those tall ceilings and chevron wood floors create the kind of architectural envelope that suits furniture with real presence. The sort of pieces Cassina has been producing for decades, where the design holds its own without competing with the architecture around it.
Why Sabrina Carpenter’s Houses Are the Exact Opposite of Quiet Luxury
In October 2025, Carpenter did something that felt both brilliant and slightly surreal. She opened her Los Angeles penthouse to twenty guests for one night only.
The space had been transformed into a vintage 1970s TV studio complete with pastel walls, pink neon lights, a heart-shaped vanity, and the now-famous clawfoot bathtub that fans instantly recognised from the Short n’ Sweet visuals. Guests signed in as ‘crew members’, had their makeup done by Carpenter‘s glam team, and tried on replicas of her glitter-covered tour outfits.
It was technically marketing. But it was also perfectly fitting. For one night, Carpenter overlapped the lines between home and performance, allowing fans to step directly into the artistic world they had only previously experienced on stage. The furniture, the sets, the colours… they weren’t just background decoration.
Ultimately, Sabrina’s real estate journey proves that she isn’t afraid to forge her own path in life as a curator of vivid visuals. While her peers settle for the quiet luxury of minimalist beige, Sabrina is embracing maximalism in a way that feels both rebellious and deeply rooted.
In an industry full of blank spaces, Sabrina has chosen to fill hers with an array of patterns, textures, and clawfoot tubs. It’s a bold architectural statement: in Sabrina Carpenter’s world, there’s no such thing as ‘too much’, as long as it has soul.
