Tracey Cherelle Jones Biography: Age, Net Worth, Movies & TV Shows, Height, Parents, Sister

Tracey Cherelle Jones, professionally known as Tracey Cherelle Jones, is an American actress, writer, artist, designer, and television personality recognized for her roles in 1990s comedies such as Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (1996) and The Wood (1999).

With a multifaceted career spanning acting, writing, and visual arts, she has also made appearances on TV shows like Family Matters and contributed creatively as a writer and designer.

Profile

• Full Name: Tracey Cherelle Jones
• Stage Name: Tracey Cherelle Jones
• Born: 27, December 1970
• Age: 54 years old
• Birthplace: Pensacola, Florida, United States
• Nationality: American
• Occupation: Actress, Writer, Artist, Designer, TV Personality
• Height: 1.65m
• Parents: Mr. Jones and Mrs. Jones
• Siblings: Tamala Jones, Craig Jones
• Spouse: None
• Children: Unknown
• Relationship: Unknown
• Net Worth: $5 million

Early Life and Education

Tracey Cherelle Jones was born on December 27, 1970, in Pensacola, Florida, to Mr. Jones and Mrs. Jones, whose names are not publicly documented.

She grew up alongside her sister, Tamala Jones, an actress, and brother, Craig Jones, in a supportive family environment that nurtured her creative interests.

Details about her formal education are limited, but she pursued training in acting and the arts, likely through workshops and local programs in California, where she later based her career. Her ethnicity is African American, and her religious beliefs are not publicly disclosed.

Career

Tracey Cherelle Jones began her career in the early 1990s with guest roles on television, including appearances on Family Matters (1993–1994) and Martin (1993).

Her breakout came with her role as Dashiki in the parody film Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (1996), where her comedic performance alongside the Wayans brothers garnered attention. She built on this success with roles in films like The Players Club (1998) and The Wood (1999), showcasing her flair for comedy and relatable characters.

Jones expanded her career beyond acting, contributing as a writer and designer. She appeared in Baby Boy (2001) and Bringing Down the House (2003), further solidifying her presence in urban comedies.

Her writing work includes contributions to television and film projects, though specific credits are less documented. As an artist and designer, she has explored visual arts, creating pieces that reflect her vibrant personality. Her television appearances on shows like Getting Personal (1998) highlighted her versatility as a personality in the entertainment industry.

Jones‘s creative influence continues through her work in multiple fields. Her acting roles, while less frequent in recent years, include appearances in independent projects and short films.

As an artist, she engages in design work, including fashion and visual art, often sharing her creations on social media. Her contributions to comedy films of the 1990s remain a nostalgic touchstone for fans, and her ongoing artistic endeavors reflect her commitment to a diverse and dynamic career.

Social Media

• Instagram Handle: @thetraceycherellejones

Personal Life

Tracey Cherelle Jones maintains a private personal life, with no publicly confirmed information about a spouse or romantic partners. She is a mother, though the names and number of her children are not publicly documented.

Based in California, Jones focuses on her artistic pursuits and family, often sharing glimpses of her creative work on social media.

Filmography

• Family Matters (1993–1994)
• Martin (1993)
• Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (1996)
• The Players Club (1998)
• Getting Personal (1998)
• The Wood (1999)
• Baby Boy (2001)
• Bringing Down the House (2003)

Net Worth

Tracey Cherelle Jones has an estimated net worth of $5 million. Her wealth primarily comes from her acting career, particularly her roles in popular 1990s comedies like Don’t Be a Menace and The Wood, which continue to generate residuals.