Margaret Whitton Biography: Movies, Age, Husband, Net Worth, Height, Career, Death
Margaret Ann Whitton, also known as Peggy Whitton, was a versatile American actress, director, and producer whose dynamic performances graced film, stage, and television.
Best known for her roles as the spirited Molly in 9½ Weeks (1986) and the cunning Rachel Phelps in Major League (1989), she brought depth and charisma to every project.
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Whitton’s stage work, including Broadway productions, and her later ventures into directing and producing, showcased her multifaceted talent, leaving a lasting mark on the entertainment industry despite her battle with cancer that ended her life in 2016.

Profile
- Full Name: Margaret Ann Whitton
- Stage Name: Peggy Whitton
- Born: 30, November 1949
- Date of Death: 4, December 2016 (Aged: 67 years old)
- Birthplace: Fort Meade, Maryland, USA
- Nationality: American
- Occupation: Actress, Director, Producer
- Height: 1.63m
- Parents: Mr. Whitton and Mrs. Whitton
- Siblings: Mary Beth Whitton
- Spouse: Warren Spector (m. 1993–2016)
- Children: None
- Relationship: Married
- Net Worth: $4 million
Early Life and Education
Margaret Ann Whitton was born on November 30, 1949, in Fort Meade, Maryland, to an Army colonel father and a nurse mother, referred to as Mr. Whitton and Mrs. Whitton.
She grew up alongside her sister, Mary Beth Whitton, in a disciplined yet supportive household that moved frequently due to her father’s military career.
She attended Northeast High School in Fort Lauderdale, Florida, where she discovered her passion for acting through school productions.
Her American heritage, with no specific ethnic details disclosed, shaped her identity, while her religious beliefs remain private.
Career
Peggy Whitton launched her career in the 1970s on the stage, performing in off-Broadway productions and earning critical praise for her role in The Apple Tree (1976).
She transitioned to television with appearances in soap operas like The Doctors (1978) and guest roles on series such as Spenser: For Hire.
Her film debut came with The Best of Times (1986), but it was her role as Molly in 9½ Weeks alongside Mickey Rourke and Kim Basinger that brought her wider recognition, showcasing her ability to blend vulnerability and strength.
Whitton’s breakout came with her iconic portrayal of Rachel Phelps, the scheming team owner in Major League (1989), a role that became a fan favorite for its sharp wit and comedic flair.
She reprised the character in Major League II (1994) and continued to work in films like The Man Without a Face (1993) with Mel Gibson.
Her stage career flourished with Broadway roles in productions like Steaming (1982), earning her a reputation as a commanding performer across mediums.
In her later years, Whitton shifted focus to directing and producing, notably with the documentary A Bird of the Air (2011), where she explored new creative avenues.
Her stage directorial work included regional theater productions, reflecting her commitment to storytelling.
Despite her battle with cancer, Whitton’s legacy endures through her memorable performances and contributions to both film and theater, inspiring actors with her bold and versatile approach.
Social Media
- Peggy Whitton does not have a social media account.
Personal Life
Peggy Whitton married Warren Spector, a real estate developer, in 1993, and the couple remained together until her passing in 2016.
They had no children, and she maintained a private life, focusing on her career and close relationships.
Based in Florida and New York, Whitton enjoyed theater, art, and philanthropy, supporting causes like cancer research in her final years.
Her resilience during her illness and dedication to her craft left a profound impact on her loved ones and colleagues.
Filmography
- The Best of Times (1986)
- 9½ Weeks (1986)
- Major League (1989)
- The Man Without a Face (1993)
- Major League II (1994)
- A Bird of the Air (2011)
Net Worth
Peggy Whitton held an estimated net worth of $4 million at the time of her death in 2016.
Her wealth stemmed from her acting roles in films like Major League and 9½ Weeks, as well as television appearances and stage performances.
Additional income from her work as a director and producer, particularly in later years, contributed to her financial standing, reflecting her enduring presence in the entertainment industry.
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