Zofia Wichłacz Biography: Net Worth, Parents, Tv Shows, Religion, Boyfriend, Age, Movies, Height, Facebook

Zofia Wichłacz is a rising star in Polish cinema and television, known for her nuanced portrayals of young women facing love, loss, and resilience.

She debuted at 18 in Warsaw 44 (2014), winning the Golden Lion for Best Actress at the Gdynia Film Festival and the Polish Film Award for Discovery of the Year.

Profile

• Full Name: Zofia Wichłacz
• Stage Name: Zofia Wichłacz
• Born: 5, April 1995
• Age: 30 years old
• Birthplace: Warsaw, Poland
• Nationality: Polish
• Occupation: Actress
• Height: 1.73 m
• Parents: Zbigniew Wichłacz and Anna Seitz-Wichłacz
• Siblings: Unknown
• Spouse: None
• Children: None
• Relationship: Not married
• Net Worth: $3 million to $5 million

Early Life and Education

Zofia Wichłacz was born on 5 April 1995 in Warsaw, the only publicly known child of camera operator Zbigniew Wichłacz and scenographer Anna Seitz-Wichłacz.

Raised in a creatively rich household, she developed an early interest in performance, attending the Ognisko Teatralne “U Machulskich” and graduating from the humanities-focused LXIV Liceum Ogólnokształcące im.

Stanisława Ignacego Witkiewicza in 2014. She briefly studied at the Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw before leaving to pursue professional opportunities. She is ethnically Polish and was raised Roman Catholic.

Career

Zofia Wichłacz began her acting journey while still in high school, landing her screen debut in 2013 with small roles in the family drama Był sobie dzieciak and the immigrant story Niegdyś moja matka, alongside a stage turn as Mela Dulska in the TV theater production Moralność pani Dulskiej, which earned her an acting distinction at the Sopot Festival of Radio and Television Theater.

These early efforts honed her instinctive presence, but her true launch came at 19 with the lead as Alicja “Biedronka” Saska in Jan Komasa’s Warsaw 44 (2014), a visceral depiction of the 1944 Uprising that drew over 800,000 viewers and thrust her into the spotlight through its blend of youthful defiance and heartbreak.

Wichłacz’s momentum built swiftly in the mid-2010s, as she transitioned from breakout promise to sought-after talent. Master director Andrzej Wajda, having spotted her in a theater piece, cast her as the idealistic student Hania in Afterimage (2016), his swan song about avant-garde artist Władysław Strzemiński, which premiered at Toronto and showcased her luminous subtlety opposite Bogusław Linda.

She followed with Agnieszka Holland’s eco-thriller Spoor (2017), playing the enigmatic “Matogi’s mother,” and the intense lead Zofia Bala in Amok (2017), earning a nomination for the prestigious Zbyszek Cybulski Award and the European Shooting Star honor at Berlin.

These roles, alongside supporting parts in Zgoda (2017) and the voice of Marguerite Gachet in the Polish dub of Loving Vincent (2017), solidified her as a bridge between Poland’s arthouse tradition and genre explorations.

Zofia Wichłacz balances domestic prestige with global reach through layered performances in series and film. She embodies the fierce Kasia Tomaszewska across two seasons of BBC’s World on Fire (2019–2023), capturing wartime romance and maternal grit, while delving into dystopian intrigue as Karolina Lis in Netflix’s 1983 (2018) and moral shadows as Teresa Zarzycka in the Rojst trilogy (2018–2024).

Standouts include the vulnerable Julita Sieńko in the adoption scandal drama DNA (2019) and the bold Zofia Sztajner in the miniseries Warszawianka (2022), alongside recent features like Wotum nieufności (2022) as the ambitious Milena Hauer.

Her command of nuanced, era-spanning characters cements her influence on Polish storytelling, inspiring peers to embrace historical introspection with fresh emotional precision.

Social Media

• Instagram Handle: @zofiawichlacz
• Facebook Handle: Zofia Wichłacz

Personal Life

Zofia Wichłacz maintains a low profile on her romantic life, with no public records of marriage, partners, or children as of late 2025; sources consistently describe her as single and focused on career amid her rising fame.

She credits her parents’ artistic world for grounding her, often recalling childhood sets as playgrounds that fueled her drive, and she divides time between Warsaw projects and quieter escapes to recharge through reading and travel.

Filmography

• Był sobie dzieciak (2013)
• Warsaw 44 (2014)
• Afterimage (2016)
• Spoor (2017)
• Amok (2017)
• Zgoda (2017)
• 1983 (2018)
• World on Fire (2019–2023, series)
• DNA (2019)
• The Mire (Rojst trilogy, 2018–2024, series)
• Warszawianka (2022)
• Wotum nieufności (2022)

Net Worth

Zofia Wichłacz has an estimated net worth of $3 million to 5 million. Her earnings primarily flow from lead salaries in high-profile Polish films like Warsaw 44 and Spoor, residuals from international streaming hits on Netflix and BBC including 1983 and World on Fire, and ongoing theater engagements, supplemented by selective endorsements that fit her understated persona.