Cédric Klapisch Biography: Net Worth, Parents, Wife, Movies, Height, Age, Awards, Ethnicity
Cédric Klapisch, is a French filmmaker, screenwriter and producer whose career has centered on stories about youth, relationships, friendship, family, Paris and changing European identities.
He became internationally prominent through films such as L’Auberge espagnole, Les Poupées russes, Paris, Casse-tête chinois, Deux Moi, En corps and La Venue de l’avenir.
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| Name: | Cédric Klapisch |
| Born: | September 4, 1961 (age 65 years old) |
| Place of Birth: | Neuilly-sur-Seine, Hauts-de-Seine, France |
| Nationality: | French |
| Ethnicity: | Jewish |
| Religion: | Christianity |
| Parents: | Robert Klapisch and Françoise Meyer |
| Siblings: | Coline Klapisch-Nicolella and Marianne Klapisch |
| Spouse: | Lola Doillon |
| Relationship: | Married |
| Children: | Pablo Klapisch, Thaïs Klapisch and Émile Klapisch |
| Occupation: | Film Director, Screenwriter, Producer |
| Net Worth: | $10 million |
Early Life and Education
Cédric Klapisch was born on September 4, 1961, in Neuilly-sur-Seine, France.
He is the son of, Robert Klapisch, a prominent French physicist, while his mother was Françoise Meyer.
He has a sister, Coline Klapisch-Nicolella, and a younger half-sister, Marianne. His family also had a significant history connected to the French Resistance: his maternal grandparents, Robert and Raymonde Meyer, were Jewish Resistance members who were arrested in 1943 and deported to Auschwitz.
Klapisch grew up in Paris and attended Lycée Rodin. After completing his baccalaureate, he spent two years in the demanding French literary preparatory classes known as hypokhâgne and khâgne, studying philosophy.
He subsequently attempted the entrance examination for IDHEC, the former French film school that later became La Fémis, but was unsuccessful.
Rather than abandoning his ambitions, he enrolled at Paris III, where he studied cinema, and later completed a master’s degree in cinema at Paris VIII in Saint-Denis.
His master’s thesis examined the use of nonsense and comedy in cinema, focusing on filmmakers such as Tex Avery, Woody Allen and the Marx Brothers.
At the age of 23, Klapisch moved to New York and studied cinema at New York University for two years.
During his time at NYU, he worked as a cinematographer on several short films before beginning to direct his own projects.
He returned to France after completing his American studies and began developing the filmmaking career that would eventually make him one of the prominent directors of his generation. His religion is Christianity.
Career
Cédric Klapisch began establishing himself as a filmmaker through short films during the 1980s.
His short Ce qui me meut attracted festival attention and was nominated for a César, helping him establish a reputation before he moved into feature filmmaking.
His major international breakthrough came in 2002 with L’Auberge espagnole (The Spanish Apartment).
Starring Romain Duris, Cécile de France, Audrey Tautou and Kelly Reilly, the film followed a French student living in Barcelona alongside young people from different European countries.
Its portrayal of student life, travel, friendship and cultural exchange resonated strongly across Europe.
The success of L’Auberge espagnole produced two sequels. Les Poupées russes (Russian Dolls) was released in 2005, followed by Casse-tête chinois (Chinese Puzzle) in 2013.
Together, the films followed Xavier and his friends as they moved from university life into careers, relationships, marriage and parenthood.
Klapisch expanded his filmography in 2008 by directing Paris, an ensemble drama centered on several people living in the French capital. He subsequently directed Ma part du gâteau in 2011 and Casse-tête chinois in 2013.
The César Academy lists him as director, screenwriter and producer on several of these later projects.
In 2017, he directed Ce qui nous lie (Back to Burgundy), a family drama set around a Burgundy vineyard.
The film examined family responsibilities, inheritance, adulthood and the relationship between personal ambition and family tradition.
He followed it with Deux Moi (Someone, Somewhere) in 2019, a contemporary romantic drama about two lonely people living in Paris whose lives gradually move toward one another. The film continued his interest in modern urban relationships and emotional isolation.
In 2022, Klapisch directed En corps (Rise), a drama centered on a professional ballet dancer whose career is interrupted by injury.
The film received three César nominations in 2023, including Best Film, Best Director and Best Original Screenplay.
Klapisch has also worked extensively in television. He participated in the early development of the French series Dix pour cent (Call My Agent!) and directed episodes of the program.
In 2023, he returned to the world of L’Auberge espagnole by co-writing and co-directing Greek Salad, a series following a younger generation connected to the original characters.
In January 2026, Klapisch also received the French Cinema Award from Unifrance, an honor recognizing his contribution to French cinema.
Awards and Nominations
- 1990 — César nomination, Best Fiction Short Film, Ce qui me meut
- 1993 — César nomination, Best First Feature, Riens du tout
- 1996 — FIPRESCI Prize, Berlin International Film Festival, Chacun cherche son chat
- 1997 — César Award, Best Original or Adapted Screenplay, Un air de famille
- 1997 — Lumières Awards, Best Director and Best Screenplay, Un air de famille
- 2003 — César nominations for Best Film, Best Director and Best Original or Adapted Screenplay, L’Auberge espagnole
- 2009 — César nomination, Best Film, Paris
- 2013 — César nominations for Best Director and Best Original Screenplay, Casse-tête chinois
- 2023 — Prix René-Clair from the Académie française
- 2023 — SACD Cinema Prize
- 2025 — La Venue de l’avenir selected out of competition at the Cannes Film Festival
- 2026 — Audience Award, Rendez-Vous with French Cinema in New York, La Venue de l’avenir
- 2026 — French Cinema Award from Unifrance
Social Media
- Instagram: @cedklap
Personal Life
Cédric Klapisch, 65 years old, is currently married to French filmmaker Lola Doillon. The couple have been together for many years and have a son, Émile, who was born in 2007.
Doillon is the daughter of filmmaker Jacques Doillon and film editor Noëlle Boisson and has established her own career as a director and screenwriter.
Klapisch is also the father of two older children, Pablo and Thaïs, from a previous relationship, giving him three children in total. He has spoken publicly about his relationship with all three children.
In an interview, he described Pablo as studying economics and Thaïs as having an interest in fashion and applied arts, while Émile was still young at the time.
Family has remained an important part of Klapisch‘s personal and professional life.
His wife is herself a filmmaker, and their shared connection to cinema has extended into their family environment.
Lola Doillon worked as first assistant on L’Auberge espagnole, the production where she and Klapisch became close.
Klapisch has maintained a strong connection to Paris, both personally and professionally.
The city has repeatedly served as a setting for his films, including Paris and Deux Moi, while his broader work has frequently examined contemporary French and European life.
Cinema remains a major personal interest for Klapisch beyond his own directing career.
His involvement in LaCinetek reflects his interest in preserving and sharing important works from film history.
He has also cited filmmakers such as John Cassavetes, Martin Scorsese, Ingmar Bergman, Woody Allen and Maurice Pialat among his important cinematic influences.
His career has also allowed him to maintain long-running creative relationships.
Romain Duris, in particular, has appeared in several of his major films, including L’Auberge espagnole, Les Poupées russes, Paris, Casse-tête chinois and Ce qui nous lie.
Net Worth
Cédric Klapisch‘s net worth is $10 million. His income has primarily come from directing, screenwriting and producing feature films, television projects and documentaries, alongside stage and opera direction and other cinema-related activities accumulated during his decades-long career.
Filmography
- Riens du tout (1992) — Director and screenwriter
- Le Péril jeune (1994) — Director and screenwriter
- Chacun cherche son chat (1996) — Director and screenwriter
- Un air de famille (1996) — Director
- L’Auberge espagnole (2002) — Director and screenwriter
- Les Poupées russes (2005) — Director and screenwriter
- Paris (2008) — Director and screenwriter
- Casse-tête chinois (2013) — Director, screenwriter and producer
- En corps (2022) — Director and screenwriter
- La Venue de l’avenir / The Colours of Time (2025) — Director and screenwriter
What People Ask
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