Can Evrenol Biography: Age, Net Worth, Wife, Children, Movies, Ethnicity, Awards, Parents
Can Evrenol is a Turkish film director, producer, writer, and occasional actor celebrated for his distinctive work in independent horror and genre cinema.
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He gained international attention with his feature debut Baskın, which premiered at the Toronto International Film Festival’s Midnight Madness section and won Best New Director at Fantastic Fest.
He followed it with Housewife, The Field Guide to Evil, and Girl with No Mouth, demonstrating a willingness to move between extreme horror, arthouse storytelling, and unconventional genre filmmaking.
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| Wiki Facts & About Data | |
| Name: | Can Evrenol |
| Born: | June 19, 1982 (age 44 years old) |
| Place of Birth: | Istanbul, Turkey |
| Nationality: | Turkish |
| Parents: | Mr. and Mrs. Evrenol |
| Spouse: | Elif Domaniç |
| Relationship: | Married |
| Children: | Uzay Evrenol, Mars Evrenol |
| Occupation: | Film Director, Producer, Writer, Actor |
| Net Worth: | $2 million |
Early Life and Education
Can Evrenol was born on June 19, 1982, in Istanbul and grew up under the influence of Mr. and Mrs. Evrenol, whose love of cinema, architecture, Renaissance art, and classical music strongly shaped his imagination.
Information about his siblings is not publicly disclosed.
Evrenol graduated from Üsküdar American Academy before studying Art History and Film Studies at the University of Kent at Canterbury in England.
He later attended an eight-week filmmaking workshop at the New York Film Academy in Los Angeles, where he made his first short film, Screws (Vidalar). He is ethnically Turkish and Muslim.
Career
Can Evrenol first developed his filmmaking voice through independently produced short horror films, often combining grindhouse aesthetics with arthouse influences.
His shorts circulated internationally and earned awards at genre festivals, with To My Mother and Father receiving recognition at the Sitges International Film Festival in 2010.
The experience led to an opportunity to work as a television-commercial director at Atlantik Film in Istanbul, where he gained practical production experience and built relationships that helped him move into feature filmmaking.
His major breakthrough came with Baskın (2015), an expansion of his 2013 short film that premiered at Toronto’s Midnight Madness and won the Best New Director award at Fantastic Fest.
Evrenol subsequently directed Housewife (2017), a segment of The Field Guide to Evil (2018), Girl with No Mouth (2019), and the Netflix series The Protector.
In 2020, he co-wrote and directed Çıplak, a miniseries filmed entirely on iPhones, before returning to feature filmmaking with Saýara (2024) and The Turkish Coffee Table (2025).
His work is particularly associated with psychological horror, sexuality, dreams, family tension, and claustrophobic social environments.
Social Media
- Instagram Handle: @canevrenol
- YouTube Channel: Can Evrenol
Personal Life
Can Evrenol, born on June 19, 1982, is 44 years old and is married to Elif Domaniç, with whom he has two sons, Uzay Evrenol and Mars Evrenol.
The family is based in Istanbul, where Evrenol continues to develop his filmmaking projects.
Away from directing, he has maintained a deep interest in cult cinema, literature, martial arts, and visual storytelling, and he has described a wide range of filmmakers and genre traditions as influences on his creative work.
Filmography
- To My Mother and Father (2010) — Short Film, Director
- Turn Your Bloody Phone Off (2012) — Short Film, Director
- Baskın (2013) — Short Film, Director/Writer
- Baskın (2015) — Feature Film, Director/Writer/Producer
- Housewife (2017) — Feature Film, Director/Writer
- Çıplak (2020) — Miniseries, Director/Writer
- Çıplak II (2021) — Miniseries, Director/Writer
- The Match (2021) — Television Series, Director
Net Worth
Can Evrenol has an estimated net worth of $2 million.
His professional income is connected to directing, writing, producing, and occasional acting, with feature films, television productions, commercials, and independent projects forming the principal areas of his career.
His work on internationally circulated productions such as Baskın, The Protector, Çıplak, and Saýara has helped broaden both his professional reach and earning opportunities.
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