Pi’erre Bourne Biography: Net Worth, Age, Parents, Height, Girlfriend, Songs, Albums

Biography

Pi’erre Bourne, born Jordan Timothy Jenks on September 19, 1993, in Fort Riley, Kansas, is an American record producer, rapper, songwriter, and audio engineer.

He is 32 years old. He grew up in Columbia, South Carolina, as part of a military family with roots in Queens, New York, where he spent summers with his grandmother and developed an early love for East Coast hip-hop through acts like Dipset and G-Unit.

His uncle Dwight, a rapper and graphic artist, introduced him to beat-making in grade school, setting the foundation for what would become a defining career in hip-hop production.

Pi’erre began releasing music on SoundCloud in 2014 before landing a role as a sound engineer at Epic Records in 2015. He left the label in late 2016 to pursue his solo path, launching his own imprint SossHouse and dropping his debut mixtape, The Life of Pi’erre, that same year.

He quickly followed it with two more installments of the series before his breakout moment arrived in 2017, when his production on Playboi Carti’s viral smash “Magnolia” turned him into one of the most sought-after beatmakers in the industry. He also crafted the beat for 6ix9ine’s Billboard Hot 100 hit “Gummo” and went on to work with Travis Scott, Kanye West, and 21 Savage, among others.

As a solo artist, Pi’erre Bourne released The Life of Pi’erre 4 in June 2019, his most acclaimed solo project to date, alongside the collaborative joint tape Sli’merre with Young Nudy the same year.

Standing at 6 feet 2 inches (188 cm), he carries a distinct creative persona that blurs the line between producer, auteur, and rap frontman. His net worth is estimated at approximately $5 million, built on production credits, solo music, and streaming royalties.

American record producer, rapper, songwriter, and audio engineer
Pi’erre Bourne
Wiki Facts & About Data
Real Name:	Jordan Timothy Jenks
Stage Name:	Pi’erre Bourne
Born:	19 September 1993 (age 32 years old)
Place of Birth:	Fort Riley, Kansas, United States
Nationality:	American
Education:	Winthrop University
Height:	188 cm
Parents:	Mr. and Mrs. Jenks
Siblings:	N/A
Spouse:	Not Married
Girlfriend • Partner:	Not Dating
Children:	N/A
Occupation:	Record Producer • Rapper • Songwriter • Sound Engineer
Net Worth:	$4 million-$5 million (USD)

Early Life & Education

Pi’erre Bourne was born Jordan Timothy Jenks on September 19, 1993, in Fort Riley, Kansas, a United States Army base. He is 32 years old.

His birth sign is Virgo. Though Kansas marks his place of birth, he spent virtually none of his formative years there. The family relocated to Columbia, South Carolina, where he grew up, attending school during the academic year while spending nearly every school break with his maternal grandmother in South Jamaica, Queens, New York.

That seasonal split between the American South and one of New York City’s most culturally charged neighborhoods would prove decisive in shaping who he became.

Pi’erre is of Belizean-American descent. His mother is a second-generation immigrant from Belize who served in the military, a commitment that kept the family anchored in South Carolina for much of his childhood. His father, whose name has not been publicly disclosed, ran a trucking business. Both parents are known publicly only as Mr. and Mrs. Jenks.

Pi’erre has been described in multiple accounts as an only child who moved house to house with his mother during his upbringing, though no verified information exists regarding any siblings. He is a Christian, consistent with the dominant faith tradition of both South Carolina and Belizean-American communities.

His family ties extend into the music world. His cousin, Mobile Malachi, is a Belizean Kriol reggae artist, and his cousin, Papoose, is an established New York rapper. On his mother’s side, his uncle Dwight, a rapper and graphic artist, would become the single most important early influence on his career.

It was Uncle Dwight who first sat young Jordan down in front of a computer running FL Studio during elementary school, setting the course for everything that followed. His mother, noticing him constantly scribbling in notebooks, assumed he wanted to be a journalist. He was actually writing rap songs.

The summers in Queens exposed him to the hard-edged street energy of Dipset and G-Unit, sounds that stood in contrast to the slower Southern pace of Columbia.

Both environments left permanent marks on his musical instincts. Back in South Carolina, he worked on beats independently after taking his uncle’s computer home and continued sharpening his ear across two distinct cultural registers.

By middle school, he had settled on his stage name, drawing it from two separate pop culture touchstones. “Pi’erre” came from the recurring All That sketch “Everyday French with Pierre Escargot,” performed by Kenan Thompson, and “Bourne” was lifted from the 2002 action thriller The Bourne Identity.

In high school, he channeled his growing rap ambitions into a group he formed with close friends called The Bourne Ones. He organized parties and shows and designed the fliers himself, an early sign of the self-sufficient creative instinct that would later define his independent label model.

When high school ended, his mother pushed him toward higher education rather than music. He enrolled at Winthrop University in Rock Hill, South Carolina, to study graphic design. He lasted roughly a year before dropping out, after which he drifted between his grandparents’ home in Queens and his father’s place in Greenville, South Carolina, picking up shifts at Walmart and Target while figuring out his next move.

It was Uncle Dwight who intervened again, urging him to pursue formal training in music engineering. At 18, Pi’erre packed up and drove alone to Atlanta, Georgia, to enroll in a nine-month sound engineering program at the SAE Institute.

There were no dormitories, so he had to find housing on his own. He completed the course, earned his certification, and in the process met veteran producer DJ Burn One, who mentored him extensively in the studio. Atlanta would become the city where his career took root, and he never really looked back.

Career

Pi’erre Bourne launched his professional journey from the corridors of the SAE Institute in Atlanta, where he completed a nine-month sound engineering certification course that would redefine the entire trajectory of his life.

It was there that he crossed paths with veteran Atlanta producer DJ Burn One, who became his first serious mentor in a professional studio environment. Working under DJ Burn One, he absorbed the technical and creative disciplines of professional music production, learning to translate his raw instincts into polished, commercially viable work.

He interned at DJ Burn One’s studio, then graduated from the program in 2015 and transitioned into a paid position as a sound engineer at Epic Records in Atlanta.

His year at Epic Records exposed him to an enormous range of recording sessions across different genres, sharpening his ear and broadening his understanding of how records are built at a major label level. But the environment constrained his ambitions as a solo creative, and in November 2016, he resigned from the label to pursue his own career full-time.

It was a pivotal act of self-belief. That same year, he launched his own imprint, SossHouse, and began releasing music under his own name on SoundCloud, debuting his mixtape The Life of Pi’erre in September 2016.

The project was named as a nod to Kanye West’s The Life of Pablo, a conscious framing of himself within the lineage of artist-producers he admired. He followed it with two more installments of the series in November and December of 2016, dropping all three within a single calendar year and quickly building a following among hip-hop listeners attuned to his unusual sonic palette.

The sound he was developing stood apart from the Atlanta mainstream. His beats carried ethereal, almost dreamlike synth melodies reminiscent of retro video game soundtracks, layered over hard trap drums and punctuated by unexpected tonal shifts.

Pitchfork would later describe his productions as “beats that pair airy video-game melodies with classic trap drums,” a phrase that captured the duality at the core of his appeal. He also became instantly recognizable through his producer tag, “Yo Pierre, you wanna come out here?”, a line lifted from a 1996 episode of The Jamie Foxx Show titled “Who’s Da Man?” The tag became one of the most widely memed and imitated producer signatures in modern hip-hop.

His breakout arrived in early 2017 when he met Playboi Carti in February of that year, shortly after Carti had recorded a demo over one of his instrumentals. The connection led to a studio session that produced “Magnolia,” a track that detonated across the internet with a speed that neither artist fully anticipated.

Released in March 2017, “Magnolia” peaked at number 29 on the US Billboard Hot 100 and went on to sell 3x platinum in the United States. It became the defining anthem of the SoundCloud rap era, a track that sounded unlike anything on mainstream radio at the time and made Pi’erre Bourne’s name impossible to ignore.

He extended his 2017 run by producing “Gummo” for 6ix9ine, a single released in September of that year that climbed to number 12 on the Hot 100 and moved more than two million copies in the US alone, serving as the lead single on 6ix9ine’s Day69 mixtape.

The momentum of 2017 translated directly into a major label deal. In September of that year, Pi’erre signed with Interscope Records and formally established SossHouse as his official imprint under the label, giving him both industry infrastructure and the creative independence he had always prioritized. The arrangement allowed him to continue operating as both a behind-the-scenes producer and a frontline recording artist on his own terms.

In 2018, he was brought into the orbit of Kanye West’s recording sessions for Ye, contributing to several tracks during the album’s spring recording period in Wyoming, though he did not receive formal production credit on the final release.

He also produced the Travis Scott single “Watch,” featuring Kanye West and Lil Uzi Vert, released in May 2018, adding another high-profile credit to a rapidly expanding portfolio. That same month, Playboi Carti’s debut studio album Die Lit arrived, with Pi’erre Bourne serving as executive producer and handling the bulk of the project’s production.

The album was a critical and commercial success, cementing his status as the architect behind one of rap’s most distinctive and influential sounds. He closed 2018 with a collaborative project alongside producer Cardo, titled Pi’erre & Cardo’s Wild Adventure, released in December.

May 2019 brought Sli’merre, a joint mixtape with longtime collaborator Young Nudy, a project that gained enormous momentum partly through the viral spread of “Pissy Pamper,” a leaked track that became one of the most talked-about rap songs of that year.

On June 21, 2019, he released The Life of Pi’erre 4, his official debut studio album, through Interscope Records and SossHouse. The album debuted at number 107 on the US Billboard 200 and led with the single “Poof,” which accumulated millions of streams in its first weeks, with the broader project earning widespread praise for its cohesion and the maturity of his rap performances.

In July 2019, Pi’erre worked with Kanye West again on production for Jesus Is King, the gospel-influenced album that became one of the most commercially successful releases of the year. His contribution earned him his first Grammy Award, which he received at the 63rd Grammy Awards ceremony in March 2021 when Jesus Is King won Best Contemporary Christian Music Album.

The year 2020 marked a major milestone in his recognition as a producer. On March 25, 2020, Pi’erre Bourne debuted at number one on Billboard’s Hot 100 Producers chart, driven by four production credits on the deluxe edition of Lil Uzi Vert’s Eternal Atake, one of the most anticipated rap releases in recent memory. He also produced Drake’s “Pain 1993,” released in May 2020, which debuted at number seven on the Hot 100, adding one of the genre’s biggest names to an already formidable production résumé.

His second studio album, The Life of Pi’erre 5, arrived on June 11, 2021, entirely self-produced and featuring appearances from Lil Uzi Vert, Playboi Carti, and Sharc.

The album peaked at number 35 on the Billboard 200 and reached number 17 on the Top R&B/Hip-Hop Albums chart, representing a significant commercial step forward and demonstrating how far his profile had grown as a solo artist rather than solely as a hitmaker for others. The album’s “Switching Lanes,” featuring Playboi Carti, reached number 37 on the New Zealand Hot Singles chart, an unusual data point that reflected his international cult appeal.

In January 2022, he produced “Cameras” for Lil Wayne, featured on the re-release of Wayne’s Sorry 4 the Wait mixtape, continuing to add generational heavyweights to his production catalog.

September 2, 2022, brought his third studio album, Good Movie, released through Interscope Records and SossHouse, a 23-track project built around cinematic themes and personal narratives, with sparse features from Don Toliver and Young Nudy. The record underscored his confidence as an autonomous artist, leaning into lush production layers and melodic rapping without relying on a roster of high-profile collaborators to carry the project.

In February 2023, he released “IG” as an official single, a track he had first teased as far back as 2018, satisfying a long-running fan demand. It served as the lead single for his Grails EP, released on April 14, 2023, a project consisting of re-recorded versions of fan-favorite snippets that had circulated unofficially for years. November 2024 saw the arrival of Sli’merre 2, his second collaborative album with Young Nudy, released on November 13 of that year, and received warmly by the fanbase built around the original project.

In June 2025, Pi’erre Bourne launched the rollout for his fourth studio album, Made in Paris, dropping the lead single “Blocs” on June 6 before releasing the full project on June 27, 2025, through SossHouse and Interscope Records.

The 17-track album carried a strong French aesthetic throughout its tracklist, with titles including “Façade,” “Bleu,” “La Loi Est la Loi,” and “L’amour.” Critics noted the project as a refinement and consolidation of his artistic strengths rather than a reinvention, with tracks like “Temps de Chasse” and “Retraite” highlighted as standouts for their cinematic production and the balance between his role as beatmaker and frontman.

Over more than a decade of work, Pi’erre Bourne has accumulated 528 documented production and writing credits, worked with virtually every significant name in contemporary hip-hop, and maintained a creative independence that few producer-rappers in the genre have sustained at the same commercial level.

His producer tag remains one of the most recognized sounds in modern rap, and his influence on the textural direction of trap music, particularly the introduction of melodic, video-game-inspired synths into the genre’s sonic vocabulary, is now a widely acknowledged chapter in the story of how hip-hop sounded in the 2010s and into the 2020s.

Social Media

• Wikipedia: Pi’erre Bourne
• Instagram: Yo Pi’erre (@pierrebourne)
• Facebook: Pi’erre Bourne (@pierrebourne)
• X: 🅿️i’erre 🅱️ourne (@pierrebourne)
• YouTube: PierreBourne

Personal Life

Pi’erre Bourne was born on September 19, 1993, making him 32 years old. He stands at a reported height of 6 feet 2 inches (188 cm), though this figure has not been officially confirmed. He has a lean build, brown eyes, and black hair.

Pi’erre has never been married. No public record exists of a marriage or engagement at any point in his life, and he has made no statements indicating he has ever pursued either. He does not have a wife, and the subject has not featured in any interview or public disclosure he has given throughout his career.

Pi’erre Bourne has consistently avoided discussing relationships in interviews and has not confirmed a girlfriend or partner at any documented point in his public life. No dating history has been officially acknowledged by him or verified by credible sources.

While his profile in the music industry has continued to rise through multiple album cycles, high-profile production credits, and sustained media attention, his personal relationships have remained entirely shielded from public view. It has not been publicly confirmed whether he is currently in a relationship or single as of 2026.

No children have been publicly confirmed or acknowledged by Pi’erre Bourne. He has not spoken about fatherhood in any known interview, and no credible reporting has identified a child linked to him.

Net Worth

Pi’erre Bourne’s net worth is estimated at between $4 million and $5 million, accumulated across more than a decade of work as a record producer, rapper, songwriter, and audio engineer.

His wealth has been built through multiple income streams rather than a single revenue source, reflecting the dual nature of a career that straddles both the production booth and the artist spotlight.

The largest contributor to his earnings has been his work as a producer for other artists. His credits on platinum-certified records, including Playboi Carti’s “Magnolia,” 6ix9ine’s “Gummo,” Drake’s “Pain 1993,” Travis Scott’s “Watch,” and his executive production of Playboi Carti’s Die Lit, represent a body of commercially significant work that generates both upfront production fees and long-term publishing and royalty income.

His Grammy Award-winning contribution to Kanye West’s Jesus Is King further underlines the commercial and critical weight of his production portfolio.

His solo discography, spanning The Life of Pi’erre 4 (2019), The Life of Pi’erre 5 (2021), Good Movie (2022), and Made in Paris (2025), adds album sales, streaming royalties, and touring revenue to his financial picture.

His Good Movie Tour in 2022 and subsequent live performances have provided consistent earnings from concert bookings, which command fees in the tens of thousands of dollars per appearance at his level of visibility. Streaming royalties from platforms such as Spotify, Apple Music, and YouTube provide a recurring income stream tied to his extensive catalog of solo and production work.

His Interscope Records deal and SossHouse imprint give him both the infrastructure of a major label and the ownership advantages of an independent operation, a combination that positions his earnings favorably compared to artists signed under more restrictive standard deals. Pi’erre Bourne has not publicly disclosed detailed financial information, and his net worth figure remains an industry estimate rather than a confirmed figure.

Discography

Albums

• The Life of Pi’erre 4 (2019)
• The Life of Pi’erre 5 (2021)
• Good Movie (2022)
• Made in Paris (2025)

Mixtapes

• The Life of Pi’erre (2016)
• The Life of Pi’erre 2 (2016)
• The Life of Pi’erre 3 (2016)

EPs

• Grails (2023)

Collaborative Projects

• Pi’erre & Cardo’s Wild Adventure (with Cardo) (2018)
• Sli’merre (with Young Nudy) (2019)
• Wolf of Peachtree 2 (with Jelly) (2022)
• Space Age Pimpin (with Juicy J) (2022)
• Sli’merre 2 (with Young Nudy) (2024)

Selected Singles

• “Yo Pi’erre!” (featuring Playboi Carti) (2017)
• “Poof” (2019)
• “Switching Lanes” (featuring Playboi Carti) (2021)
• “IG” (2023)
• “Blocs” (2025)

Notable Production Credits

• “Magnolia” — Playboi Carti (2017)
• “Gummo” — 6ix9ine (2017)
• Playboi Carti (mixtape) — Playboi Carti (2017)
• Teenage Emotions — Lil Yachty (2017)
• Luv Is Rage 2 — Lil Uzi Vert (2017)
• A Love Letter to You — Trippie Redd (2017)
• A Love Letter to You 4 — Trippie Redd (2018)
• Day69 — 6ix9ine (2018)
• Cozy Tapes Vol. 2: Too Cozy — A$AP Mob (2018)
• Issa Album — 21 Savage (2018)
• “Watch” (featuring Kanye West and Lil Uzi Vert) — Travis Scott (2018)
• Ye — Kanye West (2018, uncredited)
• Die Lit — Playboi Carti (2018, executive producer)
• Daytona — Pusha T (2018)
• Double or Nothing — Big Sean and Metro Boomin (2018)
• Slimeball 3 — Young Nudy (2018)
• Sli’merre — Young Nudy and Pi’erre Bourne (2019)
• Jesus Is King — Kanye West (2019)
• Perfect Timing — Nav (2019)
• Control the Streets, Volume 2 — Quality Control (2019)
• Lil Boat 2 — Lil Yachty (2019)
• Lil Boat 3 — Lil Yachty (2020)
• Lil Uzi Vert vs. the World 2 — Lil Uzi Vert (2020)
• Eternal Atake (deluxe edition) — Lil Uzi Vert (2020)
• “Pain 1993” (featuring Playboi Carti) — Drake (2020)
• Dark Lane Demo Tapes — Drake (2020)
• Whole Lotta Red — Playboi Carti (2020)
• So Much Fun — Young Thug (2019)
• Wunna — Gunna (2020)
• Punk — Young Thug (2021)
• Mansion Musik — Young Nudy (2021)
• We Love You Tecca — Lil Tecca (2019)
• More Chaos — Young Nudy (2022)
• “Cameras” — Lil Wayne (2022)
• Vultures 2 — Kanye West and Ty Dolla $ign (2024)
• The Big Day — Chance the Rapper (2019)
• Before I Disappear Again — Dex Meets Dexter (2019)

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